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Hallowe’en or Samhain ?

I used to love Hallowe’en, decorating the outside of the house with cobwebs, lanterns etc and getting the sweets and treats ready for the children who rang the bell shouting: trick or treat. That custom fell out of favour during Covid as I didn’t open the door to any unexpected guests. Yesterday, I was searching through a carved pine settle in the hall and discovered a tin of ‘filling puller’ sweets I’d stowed away in 2019 – the last time I handed out sweets to the neighbourhood kids. In those days we embraced the tradition wholeheartedly until, usually around about seven o’clock, the children of primary school age (accompanied by their parents or older siblings) stopped calling. At that point, deciding enough was enough, we drew the curtains and stopped answering the doorbell. Let’s face it, no one wants a group of teenagers standing on your doorstep on a dark autumn night demanding sweets with menaces, Right?
Hallowe’en was not invented in America, the tradition goes back much further. Many believe that emigrating Scots and Irish took the tradition to America with them. There it was adapted and changed into ‘trick or treat’, shipped back to the UK and merged with local traditions to create the Hallowe’en festival we know today. What I’d like to do is tell you about some of the Hallowe’en traditions I remember growing up in Scotland . . . who knows, you might recognise some of them.

Traditionally, Scottish children would go “guising” around their local neighbourhood wearing scary or outrageous costumes. Pretending to be evil spirits, they would disguise themselves and remain undetected by other wandering spirits they believed would cause them harm. Guisers would perform tricks or songs, and so were given gifts to help ward off evil. The origin of trick or treating, perhaps?
In Scotland, turnip heads would be carved into scary faces to make lanterns and lit to keep ghosts at bay. That tradition faded away, replaced by pumpkins which are more readily available these days and much easier to carve. There are many PYO pumpkin farms around where I live and it provides a popular weekend activity for families.


The ancient Celts were a blood thirsty lot and liked nothing more than decapitating their enemies and displaying their heads as trophies. The tradition of ‘apple dooking’ where children grab an apple out of a basin of water using their teeth is thought to hark back to this bloodthirsty tradition. Nowadays you are more likely to be given a toffee apple as a trophy.
Just to prove that you’re never too old to have fun, here are some photos from a Hallowe’en party hosted by friend and fellow author Adrienne Vaughan a few years ago. Some very dodgy characters turned out that night including Dracula. Although I don’t look too worried about being bitten on the neck. The other ‘weird sister’ in the fourth photo is June Kearns who writes fabulous books.





I know that Hallowe’en is all about fun and trying to pronouce Samain correctly – however, I’d like to share my own spooky story which happened many years ago when I was a teenager. Recently I reminded my sister Phyllis about it and she remembers it exactly as I do – here’s the link the post.
And . . . finally. My novel Girl in the Castle which features a haunted castle on a Scottish loch, family tragedy and a lost Jacobite treasure will be available to download over the weekend for 99p – so catch it while you can.
You can read the first few chapters FREE by following this link

I would love to hear your Hallowe’en experiences, spooky or otherwise so please leave a comment below. I always respond 🙂

My 2020 guide for becoming a (successful) indie author –

I’m often asked about my route to publication. I thought I’d update some of that information and share with you as I head into 2020 and finish my 6th novels. I hope you find the blog post helpful and informative.
My latest novel – Take Me, I’m Yours

India Buchanan plans to set up an English-Style bed and breakfast establishment in her great-aunt’s home, MacFarlane’s Landing, Wisconsin. But she’s reckoned without opposition from Logan MacFarlane whose family once owned her aunt’s house and now want it back. MacFarlane is in no mood to be denied. His grandfather’s living on borrowed time and Logan has vowed to ensure the old man sees out his days in their former home. India’s great-aunt has other ideas and has threatened to burn the house to the ground before a MacFarlane sets foot in it. There’s a story here. One the family elders aren’t prepared to share. When India finds herself in Logan’s debt, her feelings towards him change. However, the past casts a long shadow and events conspire to deny them the love and happiness they. Can India and Logan’s love overcome all odds? Or is history about to repeat itself? You can read an extract.
2.This is the first book I’ve set outside of the UK. Here’s why . . .




Back in the day I trained a teaching student from Oshkosh University for two terms. We became great friends and I had a standing invitation to go over to stay with her in Sturgeon Bay, Wisconsin. I did just that for five weeks one summer and when I flew back from Chicago I promised I would write a romance set in Wisconsin. Last year I learned she has Parkinson’s Disease and that galvanised me into action – this book is for her.
3. I like writing about sexy, highland lairds. I hope you like reading about them.

I am a dyed-in-the-wool romantic. For some women, it’s Regency Rakes, Cowboys or Navy Seals, but for me it’s a man-in-a-kilt. If he’s a highland laird or the heir to a highland estate so much the better. Not because of wealth or belonging to an aristocratic family but because I love a hero who isn’t afraid to shoulder responsibility, care for his tenants and who has a strong connection with the land. Those attributes, allied with a sharp mind, a sense of humour and a willingness to care for the heroine wins me over – every time.
4 and 5 My writing journey prior to New Romantics Press being founded
I bagged an agent (the late Dot Lumley) and HM&B were showing interest in my writing. In 1990 I reached a crossroads, continue with my writing or accept a deputy headship of a large primary school. Because of the demanding nature of teaching, I knew I couldn’t do both and chose the latter. In 2006 I took early retirement from teaching joined the Romantic Novelists’ Association New Writers’ Scheme, wrote Tall, Dark and Kilted and submitted it for a critique. I was told it was ‘almost ready’ to start sending out to agents but needed more polishing. In the meantime, I co-founded NRP with other members of the RNA/NWS. Then, over lunch in my garden, author Amanda Grange advised us to consider self-publishing on amazon. The algorithms were changing and . . . well, you can read more about it here – That was in 2012 and we’ve never looked back. I only wish I’d had the chutzpah to self-publish a year earlier because terms were more favourable on Amazon at that point.
New Romantics Press is keen to find new readers and share our work with them. Over the last six years we have published fifteen books between us and are currently working on new titles. Our motto is: Sisters Are Doing It For Themselves and you can read more about us on in this blog
6 The benefits of collaborating with other authors?
I love working collaboratively with others. That means I’m never more than a phone call away from a good mate who will listen to my writing woes, meet for coffee and offer sound advice. As being a member of New Romantics Press and the RNA I can tap into a wealth of knowledge about publishing, social media, PR – and what one of us doesn’t know, the others will find out! I couldn’t imagine being without my support system.

We try to make our events sound fun . . . Most readers and bloggers mention how much fun we have promoting our books. Writing can be a lonely occupation. As authors, we spend most of the time hidden away in our studies/offices tapping at the keyboard. When we do get out, we like to let our hair down. Warning: our events involve laughter and prosecco, so only like-minded writers and readers need apply.

In 2019 I offered a series of workshops for novice and intermediate writers, sharing my knowledge and giving writers the confidence to finish their WIP. In November of 2019 I attended the Narberth Book Fair where I outlined my 10 point guide, met readers and sold books.
Here endeth the first part of my talk. Do join me next time when I will be covering the following aspects of writing:

- the difference between self-publishing and indie publishing
- advice for writers considering self-publishing/indie publishing
- my thoughts about taking a hybrid approach
- plotters vs pantsers
- top tips for finishing a novel
- choosing and researching the location of my novels
- why I write happily ever after novels


Bliadhna Mhath Ùr – Happy New Year
Guest Blog Post – Rosie Travers – Theatre of Dreams

It’s a pleasure to welcome Rosie Travers to my blog today.
If you don’t know Rosie or her novels, here’s your chance to find out –
Welcome Rosie, tell us a little about your background –
I grew up in Southampton on the south coast of England and loved escaping into a good book from a very early age. As a teenager I landed my dream job working in a book shop, and spent much of my spare time scribbling numerous short stories and novels, none of which I was ever brave enough to show anyone. Sadly, the real world took over and my writing habit was put on hold for marriage, mortgages and motherhood. In 2009 I moved across the Atlantic to Southern California when my husband took up a three year overseas work assignment. Life as an ex-pat wife wasn’t quite as glamorous as I’d first envisaged, so to fend off the loneliness and homesickness, I began a blog about our life in Los Angeles, which re-ignited my creative juices.
When I returned to the UK I undertook a creative writing course and boosted by a couple of short story competition successes I joined the Romantic Novelists Association New Writers’ Scheme. My debut novel, The Theatre of Dreams, was published on 1 August 2018.
Tell us about Theatre of Dreams. Great cover and it sounds an intriguing read.

Rosie said: The wonderful thing about being an author is being able to rewrite history – my inspiration for The Theatre of Dreams is the historic Lee Tower which was once situated on the seafront at Lee-on-the-Solent in my native Hampshire. The Art Deco complex was constructed in 1935 and originally comprised a cinema, ballroom, restaurant and 120ft observation tower. The buildings were demolished by the local council in 1971 and the site is now a car-park – a travesty in a town with so few amenities. I spotted a commemorative notice about the tower and my imagination was captured.
The Theatre of Dreams is a story of new beginnings, laced with romance, tragedy and intrigue. Set in a fictional south coast resort, a devious octogenarian, a disgraced actress and a bankrupt architect form an unlikely alliance to save an iconic local landmark, but each has a very different motive.
I was so intrigued that I searched for Lee Tower on Google and here’s what I found – Sadly, the images are copyrighted, but you can look for yourself.

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Official Blurb
Musical theatre actress Tara is down on her luck and in desperate need of a job. When terminally-ill octogenarian Kitty invites her to take over the running of her former dance academy in the old-fashioned resort of Hookes Bay, Tara thinks she’s found her guardian angel. But it soon becomes very clear Kitty is being far from benevolent. Too late, Tara realises helping Kitty will signal the end of an already tarnished career, unless she can pull off the performance of a life-time.
The Theatre of Dreams is published by Crooked Cat Books
Here’s what some reviewers have said about The Theatre of Dreams
“a true pleasure to read from first page to last….I challenge anyone to read this book and not become completely enthralled with these characters. The character development in this book was just simply stellar!”
“This is a highly enjoyable book with just the right balance of all the elements needed to make it a satisfyingly great read. it really does deserve 5 big shiny, glittery stars!”
The Theatre of Dreams is available on Amazon in ebook and paperback.
Official Blurb
Musical theatre actress Tara is down on her luck and in desperate need of a job. When terminally-ill octogenarian Kitty invites her to take over the running of her former dance academy in the old-fashioned resort of Hookes Bay, Tara thinks she’s found her guardian angel. But it soon becomes very clear Kitty is being far from benevolent. Too late, Tara realises helping Kitty will signal the end of an already tarnished career, unless she can pull off the performance of a life-time.
The Theatre of Dreams is published by Crooked Cat Books
If you’d like to read an extract – click on this link:

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If you’d like to learn out more about Rosie, here’s where you need to look –
Website: www.rosietravers.com
Twitter @RosieTravers
Facebook: www.facebook.com/rosietraversauthor
Instagram: rosietraversauthor
STOP PRESS * Rosie’s second book, Your Secret’s Safe With Me, will be released next year.

Guest post – Eleanor Harkstead, new novel and Men in Kilts –

It is my pleasure today to give a big shout out to Eleanor Harkstead fellow member of the Romantic Novelists’ Association, lover of history, men in kilts and all round fabulous author. Some of you may remember that I interviewed Eleanor (aka Helen Barrell) back in June 2017. At the end of that post I asked her what she was working on and she said:
“With two non-fiction titles under my belt, I’m focussing on fiction for a while. I’ve recently started to write collaboratively with Catherine Curzon – we have historical romance and romantic thrillers up our collective sleeves.”
Their contemporary short story about feuding theatricals, ‘An Actor’s Guide to Romance’, is available on Amazon. The first installment in their Captivating Captains series, the historical novel The Captain and the Cavalry Trooper, will be published on 3 April 2018, and is available to pre-order. Both titles are published by Pride. If fancy reading ‘something different,’ give Eleanor and Catherine’s novel a try.
I met Eleanor through the Birmingham Chapter of the RNA and we discovered a common bond: writing, romance, a love of history and Scotland. To give you a taste of Eleanor’s work, I thought it would be fun to ask her to write a piece about Men in Kilts. Here it is:
The Ballad of the Scotsman in a Kilt
The first time I visited Glasgow with my Scottish partner, he assured me that I wouldn’t be seeing anyone in a kilt. “No one wears kilts in Scotland. Only bagpipers wear them, and old men in the islands.” Reader, I was disappointed. Until we got off the train at Glasgow Central and found ourselves in a swirling morass of Scottish footie fans who were off to see their team play an international match. Almost everyone was in a kilt.
“I thought you said no one wears kilts in Scotland?” “Erm….” was his reply

On another trip to Glasgow, my partner decided to buy a kilt. The ground floor of the shop was full of shortbread and whisky, and knickknacks featuring lake monsters and West Highland terriers. We headed down into the basement to the kilt department, where the heavy tartans and tweeds muffled the sounds from the street above. First, to decide the tartan. Being a Wallace, my partner does have a tartan for his surname, but he found its red colour a bit brash. So he opted instead for the Wallace hunting tartan, which is mainly a dark green. Obviously, you’d startle your quarry if it you had a quantity of bright red fabric swinging about your thighs as you crossed the springy heather, so each tartan has a hunting variant. Also – each tartan has an “ancient” variant, where the colours are more muted. After choosing his fabric, my partner was measured up. A kilt should be worn high on the waist, not low-slung on the hips, and it should come above the knee.

When out and about in his kilt, my partner has had people comment that his kilt’s too short, but it is the correct length.
I’m sure you won’t mind me referring you back to the image of the heavy fabric swinging about the thighs as our Scottish chap strides up the side of a mountain – if the kilt is below the knee, that stride is going to be rather difficult. There’s an option to have a “sports kilt” – this involves less cloth (the pleats mean kilts are made from a vast amount of fabric), and they’re made from synthetics rather than wool. This makes them easier to move about in, whether you’re tossing cabers or heading off to a football stadium.

Lizzie’s husband favours the Bonnie Prince Charlie jacket and Dockers t-shirt for a more casual look. The sporran is very handy for storing one’s iphone.
A sporran, next – my partner chose a plain leather one. You can get all sorts of designs on them, such as thistles or the St Andrew’s cross, as well as ones made from seal fur. If you must, you can have a ceremonial dagger – or sgian dubh – to tuck in one’s sock, then you have to choose your jacket. Does sir want a black “Bonnie Prince Charlie” jacket, or perhaps for that laird-striking-out-across-his-acres look, a tweed with buttons made from bone? And as for the shirt, will sir be wearing a plain white one or a Highlander-style billowing blouse? Whilst I evinced an interest in a shirt of the more billowing variety, my partner decided it would make him look like a jessie, so he wears one that he bought from Next. With a Wallace hunting tartan tie, of course.What footwear for a kilt? There’s traditional lace-up brogues, or you could go with a buckled shoe, or heck, why not go a bit punk and wear DMs or motorcycle boots?
A flutter of excitement went through my English family and friends once it became known that my partner had his very own kilt. He wore it when we visited my mum on her birthday in that most unScottish of English counties: Essex (well, apart from the Dagenham Girl Pipers).
My mum was exceedingly pleased with the kilt, and demanded she have her photo taken stood beside my partner in his Scottish finery. I am dismayed to relate that she told him it really suited his rear. Yes, it certainly does; that wouldn’t have passed me by, but mother – really. We went out for dinner on my mum’s birthday, so my partner decided to wear his kilt. On the way to the restaurant, my mum insisted we stop off in Sainsbury’s. The locals of Brentwood had never before seen a man in a kilt sashay through the aisles of their supermarket and my partner left a sea of astonished faces in his wake. 
All except one local who came up to him to declare that he was wearing the Blackwatch tartan. My partner tried very politely to explain that he was wearing the Wallace hunting tartan, but she wouldn’t have it. Because of course, who could be more expert on kilts than someone living in Essex? “I know it’s the Blackwatch tartan – I’ve got it on a biscuit tin.”
Those better be shortbreads, or I’m having words.
It is a truth universally acknowledged that no wedding is complete without a man in a kilt. We looked at the photos of a friend’s wedding to discover that a nice picture of my partner stood beside the bride was complete with women of a certain age in the background who were very obviously staring at his legs. At another wedding, he noticed that several female guests were deliberately getting their photos taken so that my partner and his kilt – and of course his legs – were in the background.
He’s even received an invitation to a wedding purely based on the fact that he owns a kilt. Unfortunately, on the day my partner was at a loss to find the right shoes, so turned up in trousers. As disappointing as this may have been for the women who were so looking forward to staring at a strange man’s knees, he wore his tweed jacket and tartan tie with his trousers, so he still brought a suitably Scottish vibe to proceedings.
And what does a Scotsman wear under his kilt? Boxer shorts – in plaid, of course.
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Many thanks to Helen/Eleanor for writing that piece for the blog. If you want to know more about Eleanor and her work, here are the links.
www.pride-publishing.com/book/an-actors-guide-to-romance
www.facebook.com/eleanorharkstead












































































We can’t wait to find a space for the gifts next to the hand-crocheted blanket and cushion our mate







